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Molly on the Shore

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Percy Aldridge Grainger

Percy Aldridge Grainger (ar. Rogers)


Contents

General Info

Year: 1920 (ed. 1998 by Rogers)
Duration: c. 4:10
Difficulty: IV (see Ratings for explanation)
Publisher: Shattinger Music
Cost: Score and Parts - $85.00   |   Score Only - $12.75


Instrumentation

Full Score
Compressed Score
Piccolo
Flute I-II-III (III sub for Eb Clarinet)
Oboe I-II
Eb Clarinet
Bb Clarinet I-II-III-IV
Alto Clarinet
Bass Clarinet
Contra Alto Clarinet in Eb/Contrabass Clarinet in Bb (sub for Contrabassoon)
Bassoon I-II
Contrabassoon
Double Bass Sarrusophone in Eb
Soprano Saxophone
Special Alto Saxophone (sub for Soprano Saxophone)
Alto Saxophone
Tenor Saxophone
Baritone Saxophone
Trumpet in Bb I-II-III-IV
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium
Tuba
String Bass
Timpani
Percussion (5 min.)

  • Side Drum (Tenor Drum)
  • Big Drum (Bass Drum)
  • Cymbals
    • Crash
    • Suspended
  • Glockenspiel
  • Hammerwood (Xylophone)
  • Steel Marimba (Vibraphone)
  • Marimba
  • Celesta


(This set also includes supplemental European parts for Horn in Eb, Trombone in Bb, Tuba in Eb, and Tuba in Bbx)


Errata

None discovered thus far.


Program Notes

In setting Molly on the Shore I strove to imbue the accompanying parts that made up the harmonic texture with a melodic character not too unlike that of the underlying reel tune. Melody seems to me to provide music with initiative, whereas rhythm appears to me to exert an enslaving influence. For that reason I have tried to avoid regular rhythmic domination in my music -- always excepting irregular rhythms, such as those of Gregorian chant, which seem to me to make for freedom. Equally with melody, I prize discordant harmony, because of the emotional and compassionate sway it exerts.

Program Note by Percy Aldridge Grainger


Molly on the Shore receives frequent performances from high school and university ensembles, and it is certainly appropriate for a variety of concert programs. Although melodically straightforward, this brisk reel will provide several technical challenges, especially for younger players. For a successful performances, students must exhibit firm control over articulation and finger technique. Fast tonguing pervades the upper woodwind parts, and performers should approach the decorative triplet turns with care. Grainger's characteristically intricate tapestry of melodies and countermelodies is thoroughly enjoyed by audiences.

- Notes from Great Music for Wind Band


Commercial Discography


Audio Links

Ensemble and conductor unknown


State Ratings

  • Alabama: Class A
  • Arkansas: V
  • California: V Class A
  • Florida: V
  • Georgia: V
  • Massachusetts: V
  • Michigan: AA
  • Mississippi: IV-A, V-A, VI-A
  • North Carolina: VI
  • Oklahoma: V-A
  • South Carolina: VI


Recent Performances

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Additional Works for Winds by this Composer


Additional Resources



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